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However, freedom freedom, but often acted and binding rigorous requirements. Thus, the carnival clown prince wedding Pope Zotov, held in January 1715, Peter I not only developed a scenario of the holiday, but was "roster who should be in any dress, and with some games: participants were required to come with children "Venetsky", "Chinese", "Kalmyk", "liflyandsokm", "starorytsarskom" "Sailor" and "Mining Board" costumes. Under Catherine II severity sagged allowed in the carnival masking elements of all styles and fashion trends. Instead of expensive fabrics and costume are widely used in various colors "Krashenina, gold and colored paper, finishing hats - scarves naboychatye "," Paper kartuznaya. Etc.

The exceptions were the requirements for color robes Time (only black) Vanity (always green). Black designated as Sin, Envy, Injustice. Angels were supposed to be dressed in white, Herod - in purple, Judas was accompanied by a green banner - a symbol of infidelity and betrayal. In this respect, probablyYou can talk about color entertainment suits Greek Roman festivals - combinations of white, yellow, blue,light green and red-purple hues, the contrast (blue, green, black, dark gray,brown) colors of medieval European clothing, called, incidentally,in costume history carnival fashion. Domestic carnival costume lot took from the experience of traditional festive dress with its variety of shades red, light blue, green, variegated, white, exploding accents National colors of. A review of the theme "Masquerade in Russia XVIII century" I would like the following conclusions. Sources masquerades lie in remote antiquity, from archaic times and ancient Greece. As for Russia, protatipami masquerades were the Christmas-Shrovetide festivities, clowning,ie origins in the Russian nahodyats folklore.

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