From fourth grade before exersise recommended simple in form
little adagio (no more than eight bars of 4 / 4), connecting it in combination with
battements tendus and jetes and to small tours sur le cou-de-pied.
In the middle, and high number of exercises can reduce the expense of
compound movements. The combinations are becoming more complex and varied.
The main motion exercises on the middle of the hall, which must be performed
daily, we can assume battements tendus, jetes, fondus and large
Rond de jambe par terre, rond de jambe en 1'air, battements frappes, doubles
frappes and petits battements sur le cou-de-pied can be combined with
Dance phrase, consisting of various types developpe, slow
rotations in positions (tours lent), port de bras, all kinds of renverse, grand
fouette, tours sur le cou-de-pied and tours in big poses, called
Adagio movements studied progressively.In the lower grades adagio consists of
the simplest forms of releve lent to 90 °, developpe, port de bras, executed in
slow pace and the whole foot.
In the middle grades adagio complicated turns in big positions, long
resistance to polupaltsah in positions at 90 °, preparation for tours and tours in
large positions; tours sur le cou-de-pied, the transitions from posture to posture, etc.
Rate adagio, compared with younger classes, several accelerated.
In high school, the concept adagio becomes conditional, since it
can be performed not only in a moderate tempo, but in the accelerated and has a
in the construction so that it includes more rotational motions, tours,
renverse, fouette and some jumps.
This is not typical adagio: accelerated pace and dynamism of its closer to
allegro, preparing the body to pas allegro. Value adagio extremely
large: it combines a number of movements in a harmonious whole, develops and
reinforces the correct form of classical dance movements.
If the junior and middle grades adagio produces stability, skills
proficiency in the body (in transitions from pose to pose) and smooth
expressive hand movements, then in high school use in adagio
technically difficult movements performed, usually on polupaltsah, their
complex and diverse combination of comprehensive technical summary